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BuckeyeLiger87;1324849; said:I liked all of the first 4. Didn't really like Season 5 and hated the way omar went out.
OregonBuckeye;1328119; said:At first, I didn't care for season 4 because it was so dark but I appreciate it a lot more now and really the whole series.
*SPOILER, sushichic*
I know what you mean about Omar but that's what's so great about The Wire. It didn't follow any formulas. It stayed true to itself. Anyone can get got and that message was hammered home again and again(Stringer and Omar being the most noteworthy).
DaytonBuck;1329090; said:**************************Spoilers*************************
Writing in gray because it's cool. Omar going out the way he did is what makes this series great. The street is fucking brutal and that's the way people really go out on it. No hollywood shootout you just end up dead, anonymous in a puddle blood like every other player in the game. The wire shows us this shizz ain't about glory. Drug game in America ain't about scarface style bullshizzle it's mean, cold mistress.
....
Despite my misgivings, I love "The Wire." The dialogue crackles, the characters are rich and the minute ways it captures how Baltimoreans move and talk is uncanny. But the "Complete" story isn't the whole story.
"The Wire" did, however, nail one childhood memory for me.
The most realistic moment in "The Wire" for me didn't take place during any violent showdown. It took place in a steakhouse. The scene involved a "Wire" character called "Bunny" Colvin, a major in the Baltimore Police Department.
Colvin helps run an experimental program for problem students at a local high school. One night, he decides to take three of a school's most disruptive students to a steakhouse in downtown Baltimore. The kids are loud and brash, but they're petrified when they have to sit down in a fancy restaurant filled with white people. They can't function and end up leaving the restaurant, still hungry and angry.
I could relate.
When I was asked in high school to join an academic team that would compete on television against elite, white high schools in Baltimore, I said no. When I attended my first year in college, I wouldn't speak in class and stopped going because I was so intimidated being around people who could actually speak proper English. I almost flunked out. I felt like an imposter.
Sometimes, it's not enough to give kids who come from a world like "The Wire" the chance to get out. They also have to be convinced that they deserve it.
I almost sabotaged myself because I wanted to go back to what was familiar. Even though the familiar was depressing, it was all I knew. Now I know something different because a lot of people convinced me that I deserved to be in that other world.
I wish Cutty would have done the same for Dukie. I wish he would have told him he would find a way from "here to the rest of the world."
I hope the real-life Dukies know that. They deserve a chance to say goodbye to that world, too.
As opposed to negroes who don't have an aversion to TV because they do nothing but sit around and watch television and eat KFC because they be all on welfare...'n shit.bigballin2987;1331858; said:Though white people have a natural aversion to television, there are some exceptions. For white people to like a TV show it helps if it is: critically acclaimed, low-rated, shown on premium cable, and available as a DVD box set.
OK, where do I turn in my Charter Member Caucasian Card?bigballin2987;1331858; said:For the past three years, whenever you say ?The Wire? white people are required to respond by saying ?it?s the best show on television.? Try it the next time you see a white person! Though now they might say ?it WAS the best show on television.?