Imagining an icon
Dedicated to the university and inspired by Europe’s ancient landmarks, 1907 graduate Howard Dwight Smith designed Ohio Stadium, an architectural marvel that has served for 100 years.
The stone marker sits beside an overgrown shrub in Section 87 of Columbus’ Green Lawn Cemetery. Its bronze plaque bears only Howard Dwight Smith’s name and the dates his life spanned: February 21, 1886, to April 27, 1958.
There is no posh headstone or obelisk to commemorate the architect and Ohio State alumnus buried here. The final resting place of the man who designed mansions for millionaires and an iconic football stadium for Ohio State is in keeping with how he lived. Smith valued modesty; it was his unshakable foundation.
“Humility was important to Howard Dwight Smith, in himself and in those who served the university,” says Jamie Greene ’84, architect and founder of Columbus-based Planning NEXT. “According to his son-in-law Gene [D’Angelo], Howard Dwight Smith would not allow architects to put their names on signs where construction was happening. He didn’t think it was necessary. Let the work speak for itself.”
Greene is well-versed in the legacy of Smith, a prolific architect who designed more than 30 Ohio State structures and additional local landmarks from 1918 to 1956, the most active years of his career. He believes Smith’s gravestone epitomizes a man who constructed monuments to others while choosing a modest life himself.
“My fondness for Howard Dwight Smith lies at the intersection of his incredible contributions to the built environment of Central Ohio and his profound humility,” Greene says. “Green Lawn Cemetery is known for large and, in some cases, elaborate markers and mausoleums honoring city leaders. Howard Dwight Smith designed his own marker. It is about 3 feet wide and barely protrudes from the ground.”
Left: Ohio Stadium architect Howard Dwight Smith is shown in 1921, the year ground was broken on the best known of his many designs. Right: This rendering showing athletes entering Ohio Stadium from the south was used in campaign literature to gain support from alumni and the broader community. The artist is unknown.
In contrast, the project for which he is best known could be seen as audacious. Borrowing from the architectural wonders that captivated him in Europe and planning for 63,000 fans, Smith transformed the art of stadium building.
His horseshoe-shaped stadium was dubbed “The House that Harley Built” in recognition of All-American Chic Harley, whose prodigious talent brought renown to the university’s football program and drew overflow crowds to Ohio Field that elevated the need for a new venue. And while President William Oxley Thompson and Thomas French, president of the Athletic Board, are seen as the visionaries behind Ohio Stadium, and Director of Athletics Lynn St. John as the vanguard of a growing sports program, it was Smith who had the nous and fortitude to give shape to their aspirations.
While many consider the ’Shoe Smith’s most glittering accomplishment — it earned him a 1921 gold medal for public building design from the American Institute of Architects — admirers hope the centennial will shed light on his other projects and the altruism that ran through all of his work.
A professor of architecture, a mentor, an administrator, a father of five — Smith was all of these. So, too, was he a resourceful designer who could conceive a dream home for a burgeoning college football program, an open-air school for children at risk of tuberculosis and a welcoming neighborhood for less fortunate people in his city.
“He has to be considered one of the most versatile architects of his time,” Greene says. “He designed all these different types of structures, and he did them well. He was a capable, humble guy who did amazing things without fanfare.”
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Entire article:
https://alumnimagazine.osu.edu/story/shoe-stadium-architect