shetuck
What do you need water for, Sunshine?
Is BP ready for an Arts & Culture Sub-forum?
Here's the opening volley (for review, reaction and comment):
http://http://www.economist.com/blogs/prospero/2011/01/wang_qingsongs_photographs
Here's the ICP link:
http://http://www.icp.org/museum/exhibitions/wang-qingsong-when-worlds-collide
This one blew my mind:
Here's the opening volley (for review, reaction and comment):
http://http://www.economist.com/blogs/prospero/2011/01/wang_qingsongs_photographs
WANG QINGSONG'S photographs are darkly humorous. Staged and absurd, they tend to consider the hollow promises of consumer culture in China. In Bathhouse (2000), for example, the artist sits in a pool surrounded by plastic fruit, Coca-Cola bottles and painted ladies, all of whom look terribly bored (pictured below). Later works are both grander and more subtle, such as Yaochi Fiesta (2005), a mythical scene of paradise in which scores of nude Chinese look uneasy, even ashamed. With legs crossed and mouths pursed, they appear chagrined by what was meant to be a delicious fantasy. Mr Wang, a Beijing-based artist, arranges these scenes in a warehouse-like film studio. Though often amusing, they are more than mere gags. Rather, they often feel like odd group portraits, with plenty of powerful reasons to keep looking beyond the first s[censored].
This wry approach to chronicling China?s economic and cultural changes is earning international notice. Wang Qingsong: When Worlds Collide, his most extensive solo show in America, has just opened at the International Centre of Photography (ICP) in New York. His work is also part of Photography from the New China, now at the Getty Centre in Los Angeles.
cont'd...
Here's the ICP link:
http://http://www.icp.org/museum/exhibitions/wang-qingsong-when-worlds-collide
This one blew my mind:
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